Titles on My Kindle

So I got a Kindle from Amazon about two months or so ago. During that time, it has really become one of those things (on the order of cell phone, glasses, keys, train pass, etc.) that I ensure I've got in my bag whenever I leave the house. I even bought a beautiful red leather cover for the device to protect it during travel and commute. It's an imperfect device but very convenient for reading in a variety of settings. That said, here's a list of titles currently on *my* Kindle device.

1. Kim Stanley Robinson's Science in the Capital trilogy. This trilogy consists of Forty Signs of Rain (2004), Fifty Degrees Below (2005) and Sixty Days and Counting (2007). It is interesting reading, part of a sub-genre in science fiction known as "mundane sf". The point of this sub-genre is to focus on the "what ifs" of modern technological life in the near-term, rather than the stereotypes of aliens and space ships generally associated with science fiction. The three volumes share thematic concerns -- primarily, global warming (or climate change, if you prefer) but also the balance between attitudes of "knowing" (scientific thought vs. buddhist thoughts), the associated pros and cons of national agencies' handling of science policy and funding in coping with global science issues, and the more cosmic theme of a human's place in the global ecosystem.

Robinson's style of storytelling is not particularly fast-paced. He throws in entire pages of hard science between chapters and scenes of characters' interactions. His characterization forms individuals into archetypes very quickly. Indeed, throughout the first volume, I was sure that the elusive female pursued by Frank Vanderwahl was intended to be symbolic of the Feminine Element rather than any specific identity in the story. Such characterization can be off-putting for some readers, but I think the patience and perserverance required in working one's way through the three books is rewarding. Robinson has a point -- some might say an agenda -- but the plot twisted just enough to keep my interest. The benefit of reading these on the Kindle was that I had the experience of reading all three volumes as a single narrative rather than having to wait a year or two between as with the original print publications.

Author interviews here, here and here.

(2) The Maltese Falcon, John Huston, Director by William Luhr. I have to discuss the classic detective novel by Dashiell Hammett in two weeks at the local library. I purchased this book because it has the script of the movie as well as several critical essays. I want to elicit discussion by the group of the challenges of transforming a novel into a screenplay. (The Kindle is conducive to focusing on shorter forms of writing. The screen -- six inches on the diagonal -- helps one to focus on grasping the point of each paragraph building the argument. I personally think it aids retention).

(3) Pride and Prejudice (Enriched E-book Edition) by Jane Austen. Undoubtedly you are questioning just how many copies any one woman needs of this particular classic. I do own multiple copies but each has a different value point to it. This particular Penguin edition contains the frequently-cited Tony Tanner introduction to the novel as well as extensive notes, a filmography, and a bibliography for suggested further reading including modern sequels. The book uses hypertext links throughout for navigation. (Not all publishers have been as smart on this.)

(4) The Missio-Dei Breviary. I would have preferred to carry around the Book of Common Prayer (BCP) on my Kindle, but Cambridge University Press hasn't made a Kindle edition of the prayerbook available as yet. Besides, there are plenty of Web-based versions of the BCP that I can use, if necessary. I like the Missio Dei Breviary for its brevity as well as for its roots in the social gospel. If you visit here and here, you can learn more.

(5) Mitch Albom's Commencement Speech to his nephew's high school graduating class (exclusive to the Amazon Kindle -- get some background on it here). This was a sweet gesture by the ESPN sportscaster who is also author of the best-selling Tuesdays With Morrie. I haven't read that one, but the commencement speech hit a nice, soft spot in me. I hope the nephew will grow to appreciate this gift from his uncle, if he doesn't already. I have read it frequently, just to bolster my spirits and keep my attitude properly adjusted. I even handed my Kindle over to my younger son so that he could read it. It has some lovely humorous touches as well as offering sound advice -- "avoid sushi in airports" and "call home regularly".

(6) The Vampire Tapestry by Suzy McKee Charnas. I'm not much for scary stuff and I certainly haven't read any of the Twilight series of books, but this is one of the best vampire novels I have ever read. None of the gross Renfield stuff or the fantasy of vampire as seductive lover, this presents the vampire as a lonely wanderer in modern society. Charnas does not minimize the horror of the vampire but does manage to generate sympathy for the anthropology professor who suffers from this biological mutation. (More of her views on vampires).

The novel was originally published back in 1980 (which is when I read it) but has been in and out of print since then. A print edition is being re-released this very week through the Macmillan imprint, Orb Books. It's very well-done and I heartily recommend it. The Kindle edition is being used (I suppose) to generate a build-up of interest. Charnas is not as well known as I think she ought to be.

(7) Touchstone by Laurie King. This was the very first book I bought via the Kindle store, specifically because I was about to go away for a long Fourth of July weekend but didn't want to lug along the heavy hard-back book.This stand-alone novel is a tale of suspense set in England in the period between the two World Wars. The country is under stress due to economic strain and a paralyzing labor strike is in the offing. Touchstone has only about seven major characters to track; the focus is on following the psychological mindset of each during negotiations between the various factions. There is a primary character that serves as a central focal point in the action for the bulk of the book – Harris Stuyvesant, a well-drawn American agent of the Federal Bureau of Investigation (FBI). King uses a slow pacing to build characters, but the final third of the book moves rapidly and carries the reader along. The final resolution is neither weak nor entirely happy. Another thoroughly enjoyable read that I can heartily recommend. The paperback edition is due out in December of this year. The hardcover is currently available.

Author interview here.

By the by, the backstory on the Kindle is that publishers had been wary of Amazon's intent and so took the less risky approach of licensing only older back-list titles or those titles already proven to be money-makers. However, early data regarding sales since last November must have been positive because an increasing number of publishers have committed to working with Amazon in delivering digital editions for this reader. I summed it up in my work-related column to members this way: "...the Kindle is not a replacement for the traditional print version of high quality content, but rather a supplemental convenience. It soothes a persistent irritation rather than satisfies a pressing and urgent need." And yet, I'm carrying my Kindle with me most days I'm out of the house.

**NOTE** Rumors of this blog's death have been greatly exaggerated. I have just been overly-occupied by work and family obligations. This seems to happen during the summer and I haven't figured out the stumbling block associated with the lapse in expression. Heat? Humidity?

Lady Jane by C.V. Jamison

Would you care to have your heart wrung by your reading selection this week? Are you in the mood for something old-fashioned, featuring an (upper-class) angelic, golden-haired child, alone in the world, but whose innate goodness and daintiness wins the hearts of those virtuous poor folk who come to care for her? Would it help if the story took place in New Orleans, with all of its quirky charm? Would the presence of a blue heron as the child's animal companion, provide further attraction to the story?

Thanks to the New York Public Library (NYPL) and the digitization activities of Google, you can read this story online. It's called Lady Jane and the author was Mrs. C.V. Jamison. The NYPL's copy is dated 1918, but I have reason to believe that the story may have been serialized in the noted 19th century children's magazine, St. Nicholas. (A Google search popped up a digitized volume that contained one of the chapters from Lady Jane.) I read my mother's copy of Lady Jane some forty years ago. I still think fondly of it. It is a lovely story, even if it is a bit of a period piece.

The stumbling block (for me as an adult reader) is the villainess, Madame Jozain. It's not that she isn't adequately mean to Lady Jane. It's that the back story provided for her by Jamison is such that I found myself feeling sorry for her. Here's what we learn of her background:

And perhaps it is not to be wondered at that she felt a desire to compensate herself by duplicity for what fate had honestly deprived her of for no one living had greater cause to complain of a cruel destiny than had Madame Jozain. Early in life she had great expectations. An only child of a well to do baker she inherited quite a little fortune and when she married the debonnair and handsome Andre Jozain she intended by virtue of his renown and her competency to live like a lady. He was a politician and a power in his ward which might eventually have led him to some prominence, but instead this same agency had conducted him by dark and devious ways to life long detention in the penitentiary of his State -- not however until he had pushing her down stairs in a quarrel. This accident had it disabled her arms might have incapacitated her from becoming a blanchisseuse de fin which occupation she was obliged to adopt when she found herself deprived of her husband's support by the too exacting laws of his country Lady Jane By Cecilia Viets Jamison

The son she adores is cut from the same cloth as his father (being of criminal character) and she has literally nothing to make her life tolerable. When Lady Jane and her mother come under Madame Jozain's care, her initial reaction to their needs is entirely practical rather than evil. She carefully calculates the likely cost of the clothing in the luggage, determines that the mother (now ill) is wealthy enough to pay handsomely for a nurse, and takes them into her home. She isn't intending to do anything more than be paid for her charitable act. It's only when Lady Jane's mother dies that the negative side of Madame Jozain emerges.

The problem is that from a historical standpoint I can't help but sympathize with the emotional stress that causes Madame Jozain to go bad. She's a woman without resources or family. She is without skills or much education. She is physically abused by her spouse. She ought to have been well situated in life based on where she began, but one bad marriage and she's done for.

Of course, in the story, I'm not supposed to feel any sympathy for her. She's abusive to Lady Jane in a variety of ways. She has no fine principles or inner strength. She succumbs to greed more times than not. But realistically what chance had she to do better? (By contrast, there's another well-born character Mamselle Diane D'Hautreve, a true aristocrat fallen into poverty, who displays all of the character that Madame Jozain lacks. It's impossible to miss the moral comparison presented to the reader.) There is a happy ending to the novel. Lady Jane, is ultimately restored to her proper sphere in life, her family's wealth provides for her future, and ultimately we get a hint that she will marry the right man. By contrast, Madame Jozain who did nothing to help Lady Jane back to her proper family, dies alone in a charity hospital, 'destitute of every necessity'. Put bluntly, she starves to death.

I'm not supposed to feel sorry for her, but I rather did. So, my question is, 'when was the last time that you felt sorry for a villain?'

Looking for a word...

We need a descriptive term for brains that are on overload -- something that succinctly expresses in a single phrase that condition where one's relatively reliable brain has no more capacity to absorb anything than a sponge after scrubbing plates and silverware for an eighteen person dinner party. Despite attempts to read and digest the content of a wide range of books, diverse in genre and style, I have not had much success in processing anything of substance; I just haven't retained as much as might be wished. But here's the list of what I "read" this month.

1. The Return of King Arthur: The Legend Through Victorian Eyes. This actually pertains to artistic and cultural thinking surrounding the Arthurian Myth as presented in Tennyson's Idylls of the King. This is primarily an art book, published by Harry N. Abrams and the illustrations (engravings, oil paintings, woodcuts, etc.) are really delightful to study. The text is equally interesting. My stumbling block here was that the book was over-sized (as is standard with art books) which made it difficult to read comfortably. More information here.

2. Pearls Before Swine (published in the UK as Coroner's Pidgin). This is a very complex but intriguing Albert Campion mystery. Muse of Ire and I, after meeting each other virtually on LibraryThing, subsequently met up in the city a few weekends back in order to foster a better acquaintance in real life. She generously offered me first crack at nearly two dozen Campion mysteries in mass market paperback editions. This particular one opens with Lugg and an elderly duchess maneuvering a dead body into the living room of Campion's flat, unaware that Campion has returned from work elsewhere. Campion emerges from the bath to discover said corpse on the couch. Stop and think about that one -- I think it is a brilliant set-up for a mystery. The average person encounters that in the first chapter and has to know what happens next. Who is the dead person? Where did she come from? Why would an properly aristocratic duchess be involved in something so clearly unpleasant?

3. The Shadow of the Wind. This was the book we were supposed to discuss at Didi's house two weeks ago. It was not a popular choice. We weren't sure whether to attribute the problem to the original author or to the translator. The book just didn't grab the imagination or attention of any one in the group. Maybe I'll give it another whirl sometime later in the fall. For some reason, I keep thinking that I should have "gotten" this one.

4. Point of Honour This was the book for the township discussion group and I was a little concerned. It's not a particularly sophisticated effort, but the mystery followed an interesting course. In fact, there was one particularly well-done bit that we talked about from the perspective of writing conventions for mysteries. In one chapter, Sarah Tolerance, the heroine sleuth, and her client, Verseillion, are set upon by a set of thugs unexpectedly. In the next chapter, she explains to her client by counting out five items just how she could determine that one of his associates had turned on him. You could go through the scene where the assault took place and tick off those five ways in which the author had carefully laid out legitimate clues to the reader. It was a great way to underscore the writing requirements for a mystery writer in playing fair with the reader. Here's a review that I found; I don't really agree with the hard-boiled characterization.

5. Steampunk. This was much more of a challenge to read than I would have anticipated. The anthology was devoted to short works in this highly specific sub-genre of alternate history. I had read about steampunk in the New York Times and had thought it might be interesting. I must not get it. Didn't strike me as either good speculative fiction or good science fiction. Maybe I'll try again in six months.

And then two titles that were work-related:

5. Groundswell. This is a business title by two Forrester analysts, Charlene Li and Josh Bernoff. The discussion focuses on laying out the business rationale for integrating web 2.0 technologies with strategic initiatives for the enterprise. Lots of case studies, lots of data, lots of bullet points. I would love to interpret this book as a harbinger of a happy, interactive future, if only because I've worked with all of the various technologies. But I personally suspect it will be another few years before wesuccessfully persuade C-Level executives that web 2.0 is the future.

6. Here Comes Everybody. This one I started this morning. There's also a humorous story tied to this that indicates why I think my brain is overloaded. A friend had recommended this book to me in an email. For some reason, my brain decided instead that she had recommended Groundswell (as above) so I waxed enthusiastic to her at lunch yesterday about what an interesting read it was. She looked a tad bemused and then gently explained my error. (Oops, awkward moment -- I'm supposed to be brilliant in keeping these things straight.) It is most fortunate she's a real friend and not just a business colleague. She's forgiving and won't spread the tale of my general vacuity.

There will be a prize for the person who comes up with the best descriptive phrase for my condition, the only rule being that the winning phrase may not make specific reference to middle age or mental competency.

Bonus bit of humor (assumes you've already seen the most recent Indiana Jones flick; the real punch line is in the fine print under the final graphic in the lower right hand corner.)

Politics in 2008 isn't so very different

From the politics of 1968



Wasn't Batman earnest back in those days?

Prince Caspian: Book into Film

With the Prince Caspian movie coming out at the end of the week, I thought I would read the original book by C.S. Lewis. There's no need to do a formal review, but I did enjoying thinking about it in context of the screen adaptation.

In a nutshell, Prince Caspian tells of Narnia centuries after the initial visit of the Pevensie children as told in The Lion, The Witch and The Wardrobe. While waiting for their train to take them back to school, the four children (Peter, Susan, Edmund and Lucy), find themselves unexpectedly pulled back into Narnia. They meet up with a new Narnian companion, Trumpkin, a Red Dwarf, who brings them up to date on the current state of the country by recounting the story of the young Prince Caspian. More properly, he should be known as King Caspian X but his wicked uncle, Miraz, fancies himself as ruler and plots against Caspian. Doctor Cornelius, Caspian's tutor, has secretly revealed all of this to the young prince and sends the young man out into the world to gather his forces together to regain his rightful place on the throne. The above is just the first third of the book and the rest of the volume is taken up with two primary story lines -- Caspian's interactions with the Talking Beasts of Narnia and the journey the Pevensie children must take in order to meet up with Caspian and support his fight against Miraz.

Based on my reading, there are two story elements that I hope will be emphasized in the movie itself. First of all, there is an emphasis on swordplay throughout the book that ought to make for some some splendid bits of swashbuckling if properly done. There is a sort of training duel between Edmund and Trumpkin early on in the book. Later at a climactic point, there is a far more serious sword-fight between the wicked King Miraz and the oldest boy, Peter Pevensie. If I've not been misled by the marketing materials for the movie, they will have changed this, as Ben Barnes has been cast as an older Caspian (more of a romantic hero in his 20's than the book's young teen-prince). It is his heroic image (knight in armor with sword in hand) rather than the image of Peter, that is being sold on the covers of the various activity books and movie paraphernalia. Having seventeen-year-old Peter fight in place of a thirteen-year old boy-prince makes sense in the context of the book; I can't quite see how they can make it work if Caspian is the older and bigger of the two in the movie. (Note: In the book, ages are never offered for the characters, simply inferred.)

The second story element that I would hope is appropriately used is Lucy's interaction with the Trees. Lucy at one point awakens in the middle of the night and wanders off into a clearing of the woods without any oversight from her older brothers and sister. She experiences a moment of wonder, recalling stories of trees that are alive, and *almost* hears the voices of the trees speaking to her but not quite. Later in the film, these trees will come alive and participate in both battle and celebration of the victory over the Telmarines. Of the books in the Narnia series, this one draws most significantly on the mythical figures associated with woods and water as most naturally aligned with the Creator. Some people are even troubled over the inclusion of pagan elements in Prince Caspian. However, they are present and I noted, in one of the trailers, a closing glimpse of one such mythical figure rising from the water just as described in the book. C.S. Lewis cast the Telmarines as the non-believers in this tale -- those who don't believe in Aslan, the status of the Pevensies as High Kings and Queens of Narnia, the Talking Beasts or the sacredness of the natural forms of life. Believers in Aslan recognize the cosmic order and accord others the respect and appreciation properly due.

Depending on how much of Lewis' written moral is permitted to stay in the story, we should see Lucy (the youngest of the four children) assuming something of a leadership role. Roaming in Narnia, Lucy sees Aslan when no one else does, and she tries to be faithful to his instructions. She is tasked with the job of trying to persuade the others into following Aslan's path through a particular valley. Of course, Aslan's path looks impossible to the older siblings and they largely ignore their little sister, but as one might expect, it turns out that following Aslan despite appearances is the most advisable course. The Narnia series is Christian allegory, after all.

Which is why I find it a tad distressing that the trailers indicate a certain amount of darkness and battle fury in the movie. Lewis always does his battles in a brief page or two; he doesn't offer children real violence, only the general sense of conflict. He writes in greater detail about the general sense of well-being and celebrations that follow. My biggest irritation with the previous movie from Disney was that they dragged out the battle scenes, trying to make The Lion, The Witch and The Wardrobe a screen epic of war. I'll be interested in hearing what emerges next weekend about this most recent excursion into Narnia. I did like this very sympathetic interview with the producer

Interested in background on the actor playing Prince Caspian? Read:
http://www.iht.com/articles/2008/05/12/arts/barnes.php
For something in the way of literary interpretation, visit this page:
http://booksbycslewis.blogspot.com/2008/01/narnia-and-seven-heavens.html
More from that particular expert in Touchstone Magazine:
http://touchstonemag.com/archives/article.php?id=20-10-022-f
Resources for Discussing Prince Caspian
http://cslewisblog.com/?page_id=106

Steinbeck's Acts of King Arthur [Review]

[an entry in fulfillment of the Once Upon A Time II challenge]

Title: The Acts of King Arthur and His Noble Knights

Author: John Steinbeck, edited by Chase Horton

Copyright: 2007, Viking, New York; ISBN 978-0-670-01824-6

Length: 402 pages

Genre: Folklore or folk literature; a re-telling of King Arthur and associated legends

Summary: This book was originally published back in 1976, some years after the death of Steinbeck in 1968. The work is essentially an unfinished manuscript of Steinbeck's re-working of Malory's Morte D'Arthur. Malory's work had captured Steinbeck's childhood imagination. His interest was in tweaking Malory in re-telling the stories in a fashion that would attract subsequent generations of readers, knowing that Malory's vocabulary and sentence structure might be found intimidating. This work, made up of 7 sections, shows how far he had gotten in this effort. The writing is not without flaws. Some sections, such as the opening tale of how Arthur came to be King, is very close to the original, in keeping with the statement Steinbeck makes to his editor early on in the process (see the Appendix) that he doesn't necessarily mean to add much to the stories. Later sections such as Gawain, Ewain and Marhalt seem, in my opinion, to have been revised to a greater extent, the story-telling incorporating more of Steinbeck's sense, humor and skill. The Appendix of the work gives insight into Steinbeck's working practices, incorporating research, travels to the locations named in the legends, etc.

Extract: King Arthur buried Lot in a rich tomb separately,but the twelve great lords he placed together and raised a triumphal monument over them. Merlin by his arts made figures of the twelve lords in gilded copper and brass, in attidues of defeat, and each figure held a candle which burned day and night. Above these effigies, Merlin placed a statue of King Arthur with a drawn sword held over his enemies' heads. And Merlin prophesied that the candles would burn until Arthur's death and at that moment would go out; and he made other prophecies that day of things to come.

(That segment came from the first section of the manuscript, the segment that is closer to Malory in its style and approach, but below is a second extract from the tale of Gawain, Ewain and Marhalt.)

The last month fled under the demands put upon it. Never had the lady been so critical, so caustic, so insulting. An action which in the past had drawn a little praise brought shrill attack. With blazing eyes she raked him and her thin mouth dripped poison as she tried to squeeze into him all her knowledge, her observation and invention. And then one evening of a day that had been soaked and shriveled with invective and despair, her voice dropped. She stepped back and looked at him, dirty, sweaty, weary, and insulted.

"There," she said. "That's all I can give you. If you aren't ready now, you never will be."

It took him a little time to know that the training was over. "Am I a good knight?" he asked at last.

"You aren't a knight at all until you are tested. But at least you are the earth out of which a good knight may grow."

Those two extracts each have an entirely different tone. The Acts of King Arthur and His Noble Knights may seem to read unevenly as a result. It may also have had much to do with the reason the manuscript was not published in Steinbeck's lifetime; for more discussion on this point, you may want to read this 2004 article from a scholarly journal published through San Francisco State University.

Feedback: Steinbeck offers a very masculine version of Arthurian legend. It isn't that he doesn't have strong women in these tales. He does. He offers the Lady Lyne (the woman in the second extract above) who clearly has both the brains and the strength of character to mold a strong and sensible knight. His version of Morgan Le Fay is entirely believable. But these two women are framed as supports to the main thread of the stories in which they appear. They are only important insofar as they highlight the character of the knights with whom they are involved. By contrast, the king and his knights are in the forefront, and to a limited extent realistically portrayed. These might be men that Steinbeck worked with or saw along the roadside.

Do I prefer this version of Arthur to that of Tennyson's Idylls of the King? You may remember that I had issues with the Victorian interpretation. And the answer to the question is both yes and no. I would rather my legendary figures be bigger than life, more formal and awe-inspiring in presence. As much as Tennyson's Arthurian figures are unrealistic ideals, Steinbeck's figures of legend are recognizably ordinary. There's a comment that King Arthur makes about his marriage to Guenevere that rang in my ear just a tad too much like a businessman talking about rejecting his stockbroker's advice. I could hear the tone of voice precisely. "Merlin was with me when I chose her. He tried to dissuade me...That was one of the few times I differed with him. Well, my choice has proven him fallible." There is another conversation between Sir Kay the Seneschal and Sir Lancelot that also has echoes of the business world of the '60's. That just did not work for me.

I still think fans should read Steinbeck's Arthurian tales. The work is incomplete and perhaps a little awkward, but the author still managed to evoke an echo of the meaning. Something about the Arthurian legend -- no matter who is recreating the tales -- awakens a wistfulness in me. It isn't so much a "white knight" syndrome (wishing for someone to come along and fight the battle for one) as it is the wish that we could persuade Everyman to accept the challenge to life's battle with the humility to gracefully win or lose once a best effort has been made. Guinevere says it well at one point "It's one thing to make one self great, but quite another to try to be not small."

Consequences of Sin [ Review ]

Title: Consequences of Sin

Author: Clare Langley-Hawthorne (official author site; her blog has limited activty)

Copyright: 2008, Penguin (New York; ISBN 9780143112938)

Length: 262 pages

Genre: Historical mystery

Summary: Oxford-educated Ursula Marlow is drawn into the misfortunes of her friend Winifred who is suspected of murdering her lover, Laura Radcliffe. As it happens, Laura is the daughter of Colonel Radcliffe, a business associate of Ursula's father, and upon hearing the news of his daughter's death, the colonel shoots himself in the head. This is Edwardian England in 1910 and upheaval is evident in the rise of interest in woman suffrage as well as in the increasing restiveness of the working class. Left to her own inclinations, Ursula Marlow would like to be actively involved in absolving Winifred of any guilt, but both the society into which she has been born as well as Lord Oliver Wrotham, another business associate of her father's, are actively interested in restricting her pursuit of any investigation. Her gender, her social position and her father's wealth are carefully used to envelope her, perhaps even muffle her. But Ursula manages to break away. Her insistence on learning the truth surrounding the deaths in the Radcliffe family rips away much of her protective cocoon. She must journey to the heart of darkness (in more ways than one) in order to emerge as a woman of strength in a world dominated by imperialism, capitalism, and violence. Langley-Hawthorne offers us an intelligent female protagonist whose behaviors are realistically constrained even as she tries to gain control of her own life.

Extract: Ursula decided that the only thing to do was to sit and wait. The woman, whoever she was, was crouching now in a corner, her hands and feet fast at work stripping a large palm frond into a series of strands and setting them aside. A basket lay half-woven beside her. As she concentrated on her work, Ursula seemed to fade. She had become non-existent. Ursula did not know what to do, except remain patient and silent. Her senses were heightened, and again she was struck by the connections -- the thread of sights and sounds. A sense of the mystical and magical. She could believe almost anything here. The most fantastical tale could easily be true.

Feedback: This book had an intriguing aspect to its plot. The author evokes The Heart of Darkness in a variety of ways -- in Ursula's surname, in a hallucinatory trip down a jungle river -- and consequently, one is on edge, awaiting an outbreak of madness and horror. There are those satisfactory moments when madness emerges in this mystery, but there is also a certain uneasiness as we watch Marlow undergo an emotional shift as she uncovers hidden truths about family and about commercial interests. Will she be all right in the end? There is a sub-thread of romance, but it is handled far more skillfully than in most mysteries. There is a sexual magnetism between the heroine and Lord Wrotham introduced from the first chapter, but not of the sort found in your average throbbing bodice-buster. Other reviewers have noted that this plot might have been more conventionally fleshed out in terms of characters and locations, but I rather think the author intended something of an homage to London's novel but with a feminist bent.

Clare Langley-Hawthorne, an Australian by birth and a lawyer by training, has a second book featuring Ursula Marlowe due out in August of 2008. Based on the title, The Serpent and The Scorpion, and the associated book cover prominently displayed on her official author website, it would appear to have some relation to the Middle East. I have to wonder if she will reveal parallels between Marlow and Gertrude Bell. Her blog hints that the third in the series has to do with the fight in Ireland for home rule. I will certainly be looking for these follow-ups in this series.

Now, Voyager by Olive Higgins Prouty [Review]

Title: Now, Voyager

Author: Olive Higgins Prouty (Wikipedia entry) (Plus)

Copyright: 2004, The Feminist Press, New York (ISBN: 1558614761); originally published 1941

Length: 284 pages

Genre: Fiction

Summary: Charlotte Vale, a member of one of the first families of Boston and well-provided for by her mother, has suffered under the same mother's domineering control. She has never been allowed any personal autonomy. She is always dictated to by her family and, most emphatically, her mother. Suffering a nervous breakdown, she is unsympathetically bundled off to a rest home, Cascades, where the benevolent Dr. Jaquith teaches her how to begin to cope with and actually live her life. Having graduated from Cascades, she is granted a reprieve before returning home to her mother's rule through the casual kindness of a relative who yields up her reservation for a stateroom on a departing ocean liner. Charlotte can practice some of what she's learned from Jaquith in socializing with the other passengers. Now, Voyager opens with her initial introduction to JD Durrance, a business man who is also traveling to Europe. The two fall in love and the story of that love has been immortalized by Bette Davis and Paul Henreid in the leading roles. If you loved that film (Warner Brothers, 1942), you will not want to miss reading this novel. The screenplay treated the text with respect but as is so frequently true in such cases, the book adds some depth to the author's thinking that the screenwriter didn't think to include.

Extract: A blizzard was raging in New York, so she had read on the bulletin board before she left the ship. It was difficult to visualize sheets of fine snow driving obliquely against facades, while sitting on an open terrace in the sun gazing at calla lilies in bloom bordered by freesia. (Isn't that a great opening?)

Feedback: This was published as part of the Feminist Press' series, Femmes Fatales: Women Write Pulp. In an attempt to remain objective, I might reluctantly concede that this could be classified as melodramatic pulp but it does not (in my opinion) read like that. I read it, completely riveted. In part, because I knew the film, but also because the book has one literary allusion that never made it onto the screen, one that makes all the difference in understanding Prouty's intent.

There is a reference early in Chapter 3 to Sarah Crewe, Frances Hodgson Burnett's heroine in The Little Princess. There are subsequent references to Sarah throughout the text. As soon as my brain processed the name, the author's point was clear to me. Sarah survives the domination of Miss Minchin by holding on to her internal conviction of self-worth, carefully inculcated in her by a loving father. If a parent doesn't instill that in a child, the lack has long-term repercussions in an individual's life.

Charlotte Vale was never given that internal sense of value and the story of Now, Voyager is of her having to find her value and her gifts along the way. Ultimately, she sees that she has something to offer others, specifically JD's daughter, Tina. There is a similar moment in The Little Princess when Sarah, believing herself to be as far down in life as possible, manages to think beyond herself and, as hungry as she is, share food with a beggar girl who she recognizes as having even less than herself. None of this was included in the screenplay of Now, Voyager. (Except that every woman I know, having read The Little Princess in their girlhood, would have immediately understood the underlying parallel. The (male) screen writer, likely never having read Burnett's book, did not understand the significance of the reference and omitted it!) The difference between Sarah and Charlotte is the quality of the parenting received.

Go read this book. Olive Higgins Prouty, for many reasons, does not deserve the obscurity into which she has fallen.

Wintersmith by Terry Pratchett [Review]

[Once Upon A Time II - fantasy novel]

Title: Wintersmith

Author: Terry Pratchett (official site and Wikipedia entry. If you're in a fun mood, visit the Boffo Oracle. It has a certain relevance to the story.)

Copyright: 2006, Harper Tempest, an imprint of HarperCollins, 0-06-089031-2

Length: 323 pages

Genre: Fantasy/Young Adult

Summary: Tiffany Aching has quite enough to occupy her time. Working hard with the witch, Miss Treason, she really hasn't any spare time to give over to romance. But despite specific instructions from Miss Treason, Tiffany inadvertently inserts herself into the Dance That Never Ends between Winter and Summer. This misbehavior upsets the balance of the universe in a variety of ways (identical snowflakes, poorly placed icebergs, etc.). Now she has to extricate herself and protect those around her from the consequences of her unthinking act. She has help (of a sort) from the the tribe of Nac Mac Feegles, but, honestly, that kind of help can be more of a distraction. Tiffany has to grow into her role as a witch but her encounter with elementals is an education in everything from public relations to full-blown mythology. Wintersmith is a comic fantasy written for young adults and Pratchett makes his point to that audience without ever being pompous or didactic. Some of the jokes are best understood if one has a modicum of familiarity with myth and folklore, but the novel is light-hearted and straight-forward overall. Pratchett's writing style is very simple and easy to comprehend. The book is neither high fantasy nor high literature, but I could see where this might be one of those books very fondly recalled by adolescent readers years down the road.

Extract: What stopped this was the habit of visiting. Witches visited other witches all the time, sometimes travelng quite a long way for a cup of tea and a bun. Partly this was for gossip of course, because witches love gossip, especially if its more exciting than truthful. But mostly it was to keep an eye on one another.

Today Tiffany was visiting Granny Weatherwax, who was in the opinion of most witches (including Granny herself) the most powerful witch in the mountains. It was all very polite. No one said "Not gone bats then?" or "Certainly, not. I'm as sharp as a spoon." They didn't need to. They understood what it was all about, so they talked of other things. But when she was in a mood, Granny Weatherwax could be hard work. (page 108)

Feedback: This was a light and amusing read. I snickered at some points in the story and at other points, I would pause and admire the cleverness of the author in terms of delivery of a line or plot point. If asked, I would certainly recommend that this book be included in library collections serving youthful populations.

That said, I also feel compelled to note that I wasn't particularly engaged by this book. It was fun. It had a point without being didactic. There was a good deal of wisdom to it. But I was never fully carried away by the tale. I think the slight cartoon-ishness (not to mention the pseudo-Scottish dialect) of the Nac Mac Feegles and some of the characterization of the witches interfered with my enjoyment. I am well aware that there is a difference between comic fantasy and high fantasy. Both have their own ways of communicating life's truths. Maybe it is just my own personal idiosyncratic taste, but I always tend to prefer the high fantasy form for my reading. (Note: That last sentence may be code for "I'm having one of my pompous days".)

Lloyds of London Will Be Loaded...

Apparently Tom Lehrer is 80 years old today. This is one of my favorites of his wickedly funny songs.



Found via Crooked Timber.