Tuesday, March 13, 2007

Thinking Bloggers Award



Historical/Present was kind enough to nominate me for this particular award-meme (see theThinking Blogger's original post for established rules).

Let's see -- I'll nominate Indextrious Reader, Redeeming Qualities, and Minute Marginalia, and Letters from a Hill Farm. I really do like their contributions and check to see what's new.

But, in particular, you might want to be made aware of the Internet Monk; it takes a strong man to recognize an unpleasant fact of life and subsequently write, "Fear of Women and Their Cute, Pink Books"

Saturday, March 10, 2007

Persephone, Frances, and Emily

I summoned up the wherewithal this past week and ordered two of the Persephone (UK) titles, specifically Miss Pettigrew Lives for a Day and The Making of a Marchioness. It's true I ordered them from Amazon so I won't get the nifty matching bookmarks, but...

I have to wait a little while before I'll see the books as Miss Pettigrew is currently being re-printed. I hadn't known this prior to ordering, but it would seem that both of the books I chose are quite popular (see the Feb 15 newsletter from Persephone Books). Included in that newsletter is an announcement that there's a tea in April in New York City for which I am now hoping to reserve a spot (assuming they are not all taken yet). With a Miss Pettigrew movie currently in development with Frances MacDormand in the title role, it's apt to continue to sell well.

Coincidentally, Elaine at Random Jottings wrote of the news that Persephone has announced that they'll be issuing a new edition of Frances Hodgeson Burnett's novel, The Shuttle, this spring. (It's mentioned in the newsletter as well). It's a wonderful book that I had picked up once in a Canadian antique bookseller's shop while on a business trip; it kept me occupied for the whole of a five-hour cross-country flight. It might have been the first time I realized that Frances Hodgeson Burnett did more than children's books. Clearly Persephone has a wonderful eye for good properties to bring back into vogue. I'm so looking forward to this!

Whoops, an explanation of the title for the post! Persephone and Frances is obvious from the text above, but Emily is Emily Fox-Seton, the heroine of The Making of a Marchioness. She's such a good down-to-earth creature that you can't help but like her. The following is a quote from the opening pages of the text that describes Emily's character:

Emily Fox-Seton, however, was far from making any professions of grandeur. As time went on, she had become fond enough of the Cupps to be quite frank with them about her connections with these grand people. The countess had heard from a friend that Miss Fox-Seton had once found her an excellent governess, and she had commissioned her to find for her a reliable young ladies' serving maid. She had done some secretarial work for a charity of which the duchess was patroness. In fact, these people knew her only as a well-bred woman who for a modest remuneration would make herself extremely useful in numberless practical ways.

She is such a lovely character. Now I think I'll further indulge myself by leaving the computer alone and re-reading my old copy of The Shuttle.

Friday, March 09, 2007

Twain's Adventures of Huckleberry Finn

[A lengthy and belated review for the 2007 Classics Challenge]

Title: The Adventures of Huckleberry Finn


Author: Samuel Clemens (Mark Twain): Bio


Copyright
: Published originally in 1885, this text is in the public domain and the University of Virginia offers an outstanding etext edition. I was reading from the Everyman's Library combined edition of The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn. (It's interesting to note how some would prefer that the two texts be kept separate...)


Genre: Fiction


Length: 320 pages


Summary: Summarizing this landmark work is an absurd concept. On the one hand, it's an adventure story of two marginalized individuals floating down the Mississippi just prior to the Civil War. Neither Huck Finn nor Jim have any legal standing in the courts that govern their daily existence; Huck is a minor and Jim is not considered to be an adult, but rather property belonging to Miss Watson. The two of them make the attempt to escape and find freedom. Huck wants to break away from both the well-meaning "..sivilized folk" and from his abusive father; Jim, as a black slave fearful of being sold down the river, is trying to work his way north to the free state of Ohio. They get turned around in a night of fog and end up going in the wrong direction. The book tells of both humorous and horrifying adventures that expose Huck to some of the grimmer realities of human nature. Mark Twain is an honest and clear-sighted writer in that regard. You could say that the book is just a coming-of-age story for America in the nineteenth century, acknowledge Twain's literary feat and craft in creating an authentic voice for Huck, and leave it at that.


On the other hand, you can indeed find far more in this text. If Huck and Jim set off to find freedom, what is it exactly that they are looking for? Is it life amongst their fellow citizens? Why would anyone want to live among those citizens? Twain offers some violent vignettes of American behavior (on-going family feuds, murders, mob violence, etc.) and Huck, an essentially pragmatic soul, is wisely wary of staying too long with any who offer him shelter. He has enough strength of character to shamefacedly apologize to Jim after an instance where he treats the man badly (although he'll behave badly yet again before the book's end). Jim is the only character in the book, aside from Tom Sawyer, who freely accepts Huck as he is without trying to change or exploit him. Isn't that the best definition of freedom -- an environment that allows you to be who you are without being cramped into conformity or exploited unfairly? Jim tries to protect Huck almost from the very beginning and and over time, Huck protects Jim. There's an emotional tie between the white juvenile and the black slave that deepens throughout the book. As a counterpoint, the book delivers a cultural portrait of racism and violence that really cannot be denied. Depending upon who you're talking to, Twain's intent may have been exactly that delivery. Only while floating down the river are these two "non-persons" really free; the communities on either side of the Mississippi river severely restrict the freedoms of those in their reach. Out on the river, as Twain's prose makes clear, Huck and Jim can find the necessary emotional space to connect with life's real beauty.


The issue always seems to pertain to what various critics, reviewers and readers think the book teaches. Almost immediately upon its publication, one major community library refused to buy the book because officials claimed it encouraged delinquency and disrespect in virtuous youth. (As, in a sense, it does.) In the late twentieth century, the book has frequently been banned from school systems as racist, seeing the characterization of Jim as both exaggerated and demeaning. (And again, in a sense, it is.). There is also the issue with specific vocabulary as countless others have pointed out. Clearly, this book evokes discomfort in a lot of different souls. There are so many facets of Truth in its pages.



Indeed, one of the fun elements of reading this book for me as an adult was toying with ideas for term papers that I might have been able to write in college had I been exposed to this book back in the day. Intriguing topics such as:

  • Images of the Female in Twain's Huck Finn
  • Dismissing God: Superstition and Religion in Huck Finn
  • What Was Your Name Again? Disguise and Identity in Huck Finn
  • Coping: Strategies for Living in The Adventures of Huck Finn
  • The Mythical Children of 19th Century America: Tom and Huck
  • The Voice of Youth in Huck Finn
  • The Wickedness of the Widow Douglas
I know I could squeeze out three to five pages on every one of those. Not a problem. (Well, maybe, five pages on the wickedness of the Widow Douglas would be pushing it. That might end up only two to three pages; she's hardly a constant presence, just the briefest suggestion of human frailty.) And that doesn't even begin to discuss the thin veneer of culture represented by the Duke and Dauphin, two of the sleaziest con men to be found in literature. Throughout this book, reading the stories of hi-jinks and criminal fraud, you can't decide whether to whoop with laughter or rear back in serious horror.


Ultimately the question of whether you should assign this book to high school students depends on how much you think the students can handle. Given the wide swath of discussion possibilities, this book can take you in many different directions. That goes a good distance in establishing why it is, in fact, considered to be a classic or primary text. Because, in its unvarnished form, it exposes a variety of hypocrisies, none of which have vanished from the face of this earth. The Adventures of Huckleberry Finn is an uncomfortable work for that reason and the deeper one digs into it, the less ground cover there is in which to hide. If we can't work through the reasons for that, is that the fault of the work or a fault in ourselves?

Wednesday, March 07, 2007

Last Blast


The North Wind doth blow
And we will have snow
What will poor Robin do then? Poor thing!

He will sit in the barn
And to keep himself warm
Will hide his head under his wing. Poor thing!


Monday, March 05, 2007

Three Things Meme

Posted just for curiosity's sake,

  1. Three things that scare me: icy sidewalks, roller coasters, and snakes.
  2. Three people who make me laugh: Offspring #1 and #2 and Robin Williams
  3. Three things I love: books, time off, and *relaxed* travel
  4. Three things I hate: Feeling rushed, a sense of boredom, and any conference speaker too lazy to fill out a single page form.
  5. Three things I don't understand: Our society's constant need for speed, any lurid interest in celebrity, and the need to constantly market things.
  6. Three things on my desk: computer, phone, stacks and stacks and stacks of paper.
  7. Three things I'm doing right now: typing, listening to a old Sherlock Holmes television episode on A&E, and worrying whether I have adequately trained my sons for success in the long-run.
  8. Three things I want to do before I die: tour the UK without being stressed by either time or money, turn a spare bedroom into a formal library, beat into people's heads the idea that Google is not the answer to their information difficulties.
  9. Three things I *can* do: bake, write and talk to total strangers
  10. Three things you should listen to: bubble gum music from the 'sixties (for fun), gregorian chant (for concentration) and Rossini's William Tell Overture
  11. Three things you should never listen to: flattery from business acquaintances, heavy metal music, and weathermen who predict the "Storm of the Century" without being able to deliver a day off.
  12. Three things I'd like to learn: Ballroom dancing, line dancing and...something else
  13. Three favourite foods: Perfectly cooked roast beast, hot buttered crumpets, and tiramisu
  14. Three beverages I drink regularly: Starbucks lattes, 2% milk, and bottled water.
  15. Three TV shows/books I watched/read as a kid: Roman People by Olivia Coolidge, An Old-Fashioned Girl by Louisa May Alcott, and Daphne's Cartoon Castle (local TV kids programming in Wash. DC)
(Originally written about a month ago and never posted...)

Saturday, March 03, 2007

A Short History of Myth - Karen Armstrong

[just an ordinary review; not for any challenge]

Title: A Short History of Myth

Author: Karen Armstrong

Copyright: 2005, Canongate Publishers, New York

Genre: Non-fiction

Pages: 160 pp. (includes 10 pages of footnotes).

Summary: This essay runs approximately 34,000 words long; given the subject matter, that short length would seem to suggest a shallow treatment. But A Short History of Myth is provocative in the best sense. Armstrong draws the reader into thinking about how mythology "works" in communicating the fundamentals of human experience. Myth is supposed to transmit across time the commonality that exists in how we and previous generations experience the forces that shape us and the physical world around us. I'll quote Armstrong here:

A myth was an event which, in some sense, had happened once, but which also happened all the time. Because of our strictly chronological view of history, we have no word for such an occurrence, but mythology is an art form that points beyond history to what is timeless in human existence...An experience of transcendence...

But the best summation of her book is in this quote:

There is never a single, orthodox version of a myth. As our circumstances change, we need to tell our stories differently in order to bring out their timeless truth. In this short history of mythology, we shall see that every time men and women took a major step forward they reviewed their mythology and made it speak to the new conditions. But we shall also see that human nature does not change much, and that many of these myths, devised in societies that could not be more different than our own, still address our most essential fears and desires.

That paragraph explains why the publishers of the Canongate Myth Series felt that they needed to publish Armstrong's non-fiction volume in advance of the various fictional renditions by modern authors that make up the rest of the series. It provides the platform of thought for the creative work of others such as Margaret Atwood, Jeanette Winterson, etc which are to follow after. It's almost as if the creative works are to be the laboratory in which we work out the proof of Armstrong's theory. Every time we achieve advancement in scientific knowledge or technological expertise, Armstrong shows that human beings seek out a new understanding of the operation of the sacred in our lives. That aspect is *most* important and not to be trifled with or set aside as irrelevant. Armstrong worries that we are doing exactly that in our present day, having never fully mastered the ways available to us for infusing the ordinary with the mystical sense of transcendence.

Also Relevant:

I've read this book, but I'm still digesting it. I'm worried about the larger Anglican Communion these days and, perhaps somewhat fuzzily, I think Armstrong's book in some sense explains why it is so disturbing to me. Peter Akinola is seeking to preserve the myth as it best accords with and infuses his social environment (Nigeria) just as Katherine Jefferts-Schori is trying to do in our environment (the United States). How can those two very different environments share a sustainable sense of the same life-giving story? Because that's the strength of our Christianity; note that Grandmere Mimi has a wonderful story today that exemplifies how we need to be able to span the gap.

Pages Turned read the first three titles in the Canongate series and gives us her views on those titles. JenClair has read one of the books in the series -- Jeannette Winterson's Weight: The Myth of Atlas and Heracles --and offered her thoughts on it. (Update: She also read and reviewed the Atwood title, The Penelopiad. Thanks for letting me know, JenClair!) Based on what they've said and based on browsing in my local Borders, I think the next volume in this series that I will choose will be the David Grossman title, Lion's Honey. It's based on the story of Samson, a story with which I'm quite familiar, and I'll be curious to see how he plays it out. The alternative choice is Victor Pelevin's The Helmet of Horror: The Myth of Theseus and the Minotaur - a labyrinthine story told in an Internet chat room. The various threads of discussion offer the way out...or do they?

Friday, March 02, 2007

Snacklash

Snacklash?

Just what we needed, right? More choices...

Update: I wasn't very clear on what I was thinking here. It's the time thing that I think is getting to me. I chose very short books to read in the past two months so that I could feel like I was actually getting through something in the very stressed, time-crunched period before my Annual Conference. But even working through those was sometimes problematic. And that's why I end up watching DVDs of old BBC productions sometimes, rather than reading through The Odyssey or Middlemarch. Less effort put in, but still some sense of having gotten through something (non-work-related) that was still stimulating and/or worthwhile.

So I'm grateful for the various choices available to me (which is what the linked Wired story is about), but I wish I wasn't having to make those choices in the first place. Can't everyone just slow down a bit?

Wednesday, February 28, 2007

Back in the Office on Thursday

cartoon from www.weblogcartoons.com

Cartoon by Dave Walker. Find more cartoons you can freely re-use on your blog at We Blog Cartoons.



I think folks have recently been introducing folks to other bloggers and blogs that they enjoy. May I therefore introduce you to Dave? Click the links above.

Quote of the Day

"All you need to start an asylum is an empty room and the right kind of people."

(My Man Godfrey, 1936, Universal Pictures)

Conference done.

Friday, February 23, 2007

And All The Little Saints

My mother-in-law has a phrase she uses in moments of utter exasperation,"Oh, Jesus, Mary, and Joseph, and all the little saints!" It's not said when she's in a real temper, but as a verbal accompaniment to a rolling-of-the-eyes. It is intended to elicit divine attention at the point of need for patience in dealing with the real idiocies of daily existence.

When I first heard of this controversy, I echoed the phrase and her heartfelt tone. Surely, surely an author may be allowed to use anatomically correct terms when writing a book without setting off alarms. Anyone in a classroom who can't talk his or her way around the use of such a term in a way that avoids embarrassment needs to practice their verbal skills. Having said that, I have to agree with the Annoyed Librarian, who suggests that the litmus test (at least for children's literature) might be whether it is a word you'd choose to use in polite conversation. How well can you define it if pressed? The only thing worse might be to imagine the helpful young second or third-grader in the classroom who offers to show the questioner exactly where that particular portion of the male anatomy appears in order to clarify. At the same time, the author claims the incident in the book was taken from real life. It's not like she sat at her computer wondering how best to shock the neighbors. The columnist at the Toronto Star has a good grasp of the realities of the situation. Forbes is pointing out that the controversy is fueling book sales.

One does wonder if we've lost a grip on reality. Neil Gaiman suggests that it's just a small group of librarians who have gone over to the dark side. Of course, his headline uses an anatomically correct term as well so you might not trust him either.

(My responsibilities for the conference begin tomorrow evening; I'll be four days, three nights at the Ritz Carlton. It's a posh setting, but meeting planners don't get to enjoy the full benefits. For the record, there are special places in Perdition for speakers who cancel at 4:45 pm on a Friday afternoon when they are supposed to speak on the following Monday. Remember that bit I shared about people who are like Slinkies?

Back in four days.)